The Deleted Scenes - Restaurants and Urbanism
I’m bouncing off a piece by Joel Kotkin here today, which—I was, and you might be, surprised—I substantially agree with. What I find interesting is Kotkin’s framing, which I somewhat disagree with, and want to think about. It’s an article about restaurants, particularly small, independent, immigrant-owned restaurants, in California, and how state regulation makes their businesses harder. He also throws in some land-use stuff. For example, he writes:
And he includes, but doesn’t unpack, an interesting quote in this paragraph:
He mostly writes this with the implication or suggestion that if planners had their way, none of this messy, somewhat car-oriented small-business-incubating space would exist. He also notes, without disapproval, the importance of the car in California’s historic restaurant scene. In other words, the interests of urbanists and city boosters on the one hand, and entrepreneurial immigrants on the other, are opposed. This is not, in my experience, the case. I get the sense that Kotkin would be surprised by how much mainstream urbanism is essentially deregulatory in nature. Much of the stuff he doesn’t like about land use is really about making more room for people to do things. He writes stuff like this—I Googled “Joel Kotkin war on suburbs” and these, for example, were the first three results: Yes, there is a strain of often elitist anti-suburban thinking. But that is becoming kind of old-fashioned. Increasingly urbanists recognize that the suburbs are becoming something more than they were built to be—more complex, more diverse, more energetic. In some ways, more urban. I’ll give you an example (aside from my own work, such as this long piece on exactly this subject). A former researcher with the Congress for the New Urbanism said to me once that she had misgivings about disdain for suburbia and enthusiasm for wholesale redevelopment. It sounded, she said, a little like urban renewal. And the crime of urban renewal should have taught us to have more humility when it comes to engineering the built environment. She also introduced me to Dan Reed, a Black urbanist writer and planner who I’ve cited here (here, for example), and who I also know personally. Most of what he writes is about, or takes place in, these liminal suburbs, which are neither 1950s time capsules nor true cities. Whatever it is they are or are becoming, though, is valuable and interesting. The sense I get from Reed’s work, which, I can tell you, is read among urbanist/land use/planning folks throughout the D.C. region—something I’ve also been thinking about a lot lately—is that “urbanism” is a spirit, an approach, and that the physical form of the big city does not need to be its vessel. All of this is to say that Kotkin sort of pits immigrant entrepreneurs and entrepreneurs of color against urbanism, when rather, these old and imperfect landscapes in which those business owners find success are becoming urban in this deeper sense. This is what I mean by framing; Kotkin is working around a wedge that increasingly does not exist. Where Kotkin may be right is his discussion of business regulation. He talks about restaurant-workers unions and wage rules which may be onerous to small restaurant owners:
Now, none of the small restaurants he profiles in the piece are franchises at all, let alone franchises with more than 30 members. I suppose the argument is that laws like this can prevent future franchises from ever growing. Part of the underlying question is when the transition from small business that needs flexibility and a light regulatory touch to big business that needs some regulatory constraints occurs. (It’s similar in a way to the question that roils the craft beer scene. Who’s gotten too big to be craft? Is craft a recipe, a spirit, a case number?) The business/regulatory constraint that Kotkin does not mention, at least not here, is zoning. The real point of the California mini-mall is not that it’s a car-oriented low-rise strip plaza but that it’s cheap commercial space. And one of the things that determines that is zoning. There’s a larger point I’ll note here: many people conflate suburbia’s characteristics with its form: suburban housing is often cheaper than trendy urban housing, therefore affordability is a characteristic of the suburbs. As though there were something intuitive or even inherent in detached houses on large lots costing less than urban apartments. But suburban housing is cheaper because it is invisibly subsidized, and because it is frequently easier to build on greenfields than in places that are already developed. It’s almost like if someone at IBM had looked at the first prototype Personal Computer and said, “This is too expensive, we’d better not mass produce it!” But anyway, cheap commercial space. Land values, of course, determine this. But so does zoning. Many of those mini-mall lots might be worth more as housing, if they were zoned residential (in Los Angeles, at least). Likewise, in other places, there might not be enough space zoned commercial. I wrote recently about Culpeper, Virginia. It’s a beautiful, well-preserved historic town about an hour south of Fairfax. It has lots of small businesses downtown. But take a look at this unfortunate story:
The trailer-based restaurant was able to find a space behind the town’s fancy cheese shop, in a parking lot. But what a shame. Here’s a town with an almost perfect physical urban form, but a county that lacks the spirit. Here, and here, on the other hand, are typically suburban places which understand the urban spirit. So when I see an energetic, fine-grained, diverse commercial scene taking form in suburban landscapes that are now many decades old, what I see is the arrival, decades late, of an urban spirit, and a restoration of sorts in places that have been shackled by limited imagination and rigid regulation. This is especially true for older suburbs, which still had a little bit of classically urban DNA in their design. I’ll leave you with a bit from my Vox story last year, on this suburban evolution. I’m writing about Rockville, which I mention frequently:
Joel Kotkin is seeing the same thing. But I’m not sure he knows what he’s looking at. Related Reading: Culture, Nostalgia, Cuisines as Living Things Thank you for reading! Please consider upgrading to a paid subscription to help support this newsletter. You’ll get a weekly subscribers-only post, plus full access to the archive: over 600 posts and growing. And you’ll help ensure more material like this! You're currently a free subscriber to The Deleted Scenes. For the full experience, upgrade your subscription. |
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