With Dune: Part Two at long last within reach, all eyes are turning to the possibility of a Part Three. Director Denis Villeneuve has already expressed a keen interest in adapting the second book in Frank Herbert’s sci-fi saga, Dune Messiah, and has been hard at work on a screenplay — but a third film is not yet a guarantee. Producers at Warner Bros. would have to greenlight another sequel (which, admittedly, does feel inevitable), and Villeneuve would also have to finish the script. And enthusiasm aside, Villeneuve might to take a break before completing his trilogy.

“I have other stories I want to tell,” Villeneuve recently admitted in an interview with The Playlist. “Once [Dune: Part Two] is out, I intend to go back into the snow and dream a little bit to see if I’m going back to Arrakis right away or if I’m taking a detour just for mental sanity.”

Villeneuve and his collaborators have been working on a Dune: Part Three script for what feels like ages, and the director has apparently been careful about adapting the material right. He’s keeping his plans for the film very close to his chest, telling Inverse’s own Hoai-Tran Bui that it’s “too much a work in progress” to discuss at the moment.

If you’re even remotely interested in kitschy sci-fi imagery, you’ve likely seen Sean Connery wearing what can only be described as post-apocalyptic red diapers, matching boots, and bandoliers. This is the enduring image of Zardoz, a bizarre 1974 science fiction film in which Connery’s most outrageous outfit is actually a wedding dress.

Zardoz is the exact opposite of an instant classic; it’s such a slow burn that it may take another 50 years to be considered the 20th century’s most underrated sci-fi movie. When it was released on February 6, 1974, it was a bomb. As reported by Starlog, some people leaving the theater would supposedly advise others waiting for the next showing to not bother. Throw in mixed reviews, and Zardoz was DOA. But five decades later, parts of Zardoz are not only artistically brilliant but socially prescient.