Who’s the Best TV Character of the 21st Century?

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The Ringer
In the April 1 newsletter:
The Best TV Character of the Century bracket, a celebration of Chris Farley, the unsure future of FanGraphs, and the NBA class of 1996—redrafted.
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Must-Reads From The Ringer

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- THE RINGER'S BEST TV CHARACTER BRACKET -
Regardless of the pro–Gob Bluth bot hijacking of our Best TV Character bracket, the vote to find the one true TV character king/queen goes on. [Riley McAtee]

All anti, no hero: Pete Campbell and the failsons of the 21st century. [Alison Herman]

Join Will Arnett as he explains why Arrested Development's Gob Bluth and BoJack Horseman's eponymous protagonist are two of the best TV characters of this century. [Alan Siegel]

Not to be outdone, Timothy Simons makes his case for why Veep's Jonah Ryan is one of the best TV characters of the century. [Alyssa Bereznak]

Elisabeth Moss would also like a word with you to explain why Peggy Olson deserves your vote for the best TV character of the 21st century. [Rob Harvilla]

And finally, You're the Worst's Lindsay Jillian deserves to be in the running as one of the best TV characters of the 21st century, as told by Kether Donohue. [Katie Baker]
 
- SPORTS -
If the NBA season is over, who deserves Coach of the Year? [Dan Devine]

Defining moments of the NBA season: Luka Doncic takes the leap. [D.J. Foster]

With no baseball, FanGraphs is in peril, and it won't be the last sports media operation to face hard times. [Bryan Curtis]

NBA Redraftables Reevaluations: Tim Duncan and the barren wasteland of the 1997 draft. [Zach Kram]
Celebrating Chris Farley

Tuesday marked the 25th anniversary of Tommy Boy

From Matt Foley to his collaborations with David Spade, here are the essential components of the Chris Farley experience. [Andrew Gruttadaro and Justin Sayles]
It's time to take a look at the long-lost Saturday Night Live sketch that perfectly explains Farley's genius. [Alan Siegel]
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Kobe, Nash, or Iverson: 1996 NBA Redraft | Bill Simmons’s Book of Basketball 2.0

In the first installment of The Ringer’s NBA Redraftables, Bill Simmons and Ryen Russillo redraft the historic 1996 NBA draft.
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“So Elegant, So Sensual”: Chris Farley Should Be Remembered for His Grace, Not His Falls

Early into the 16th season of Saturday Night Live in 1990, one of the biggest stars in the country pushed aside a row of red and silver streamers, and stepped onto the stage. The crowd laughed at him.

Or rather, they laughed because of the man who walked out next to him.

Patrick Swayze, who was fresh off Road House and Ghost—and whose hair was immaculately feathered—was simply the setup for the punch line of Chris Farley, whose very presence onstage was enough to set the crowd into hysterics.

At this point, barely anyone knew who Farley was. He was 26 years old, from Madison, Wisconsin, and, until very recently, seen only by comedy junkies at The Second City in Chicago. He had never had anything resembling a serious job (his parents looked after him financially in Chicago), and it wasn’t even clear to Chris’s brother, Kevin, if Chris had ever been to New York before getting cast on SNL. David Spade, who called his new SNL office-mate “Wisconsin Dundee,” said in his 2015 memoir Almost Interesting that, in those early days, Farley would take out just $20 at a time from the ATM, unable (or unwilling) to accept the fact that he had NBC money now.

And yet here Farley was, next to Swayze, the original (and superior) Channing Tatum—a soon-to-be Sexiest Man Alive, as declared by sexiness authority People magazine. It was Farley’s fourth show, and he had never starred in a sketch. Within seconds of his appearance, however, the crowd felt a deep attachment. And they would never let him go.

[Read Nate Rogers's piece celebrating and critiquing the iconic Chris Farley Chippendales sketch.]

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“Big day tomorrow. Hope we can keep this momentum goin'.”
—Chris Farley, Tommy Boy 
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