"The only poem I can write" by Helene Achanzar

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October 14, 2024 
 

The only poem I can write

Helene Achanzar

is the one in which she devours an egg sandwich on the overcast train ride to Montauk. Both of us desperate to quit the city, even just for one day, so foolishly we underdressed for the sea. How far a few bucks take us: to the top of a lighthouse, a tote bag full of ceramic souvenirs, a single lobster roll. She poses for photos along the bluffs. I dip my feet into the cold ocean. We talk about our parents, their failures, our own. As she naps on the sand, wrapped in a gauzy scarf, I shiver and watch the clouds move fast across the horizon to reveal sunset’s approach. It is just a sunset. It’s beautiful, and means nothing more than the end of a long day. At dinner, we bicker about the bacon in our pasta. The argument is more about exhaustion than it is about pork. We spend what feels like hours in silence drinking water from a patient bartender. We don’t speak again till we board the last train back to the city when she offers me gummy candy from the depths of her bag. She is alive, and our bodies recline on the train’s seats and thrash with laughter from a joke only we know.

Copyright © 2024 by Helene Achanzar. Originally published in Poem-a-Day on October 14, 2024, by the Academy of American Poets.

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“At the bottom of the deep well of grief, I tried to find the words. The only ones that felt right were plain and true: one long day in a too-short life.”
—Helene Achanzar

Helene Achanzar

Helene Achanzar is a poet and editor whose writing has been published in The Georgia Review, Sixth Finch, Best New Poets, and elsewhere. Winner of the 2022 New England Review Award for Emerging Writers, Achanzar is a senior editor for Poetry Northwest and the director of programs at The Chicago Poetry Center.

“One Summer” by Ann-Margaret Lim
read more

“Anne” by CMarie Fuhrman
read more

Thanks to Sarah Gambito, author of Loves You (Persea Books, 2019), who curated Poem-a-Day for this month’s weekdays. Read or listen to a Q&A about Gambito’s curatorial approach and find out more about our Guest Editors for the year.
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