Poem-a-Day - "Nothing" by Krysten Hill

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July 7, 2020  

Nothing


Krysten Hill

I ask a student how I can help her. Nothing is on her paper.
It’s been that way for thirty-five minutes. She has a headache. 
She asks to leave early. Maybe I asked the wrong question. 
I’ve always been dumb with questions. When I hurt, 
I too have a hard time accepting advice or gentleness.
I owe for an education that hurt, and collectors call my mama’s house. 
I do nothing about my unpaid bills as if that will help. 
I do nothing about the mold on my ceiling, and it spreads. 
I do nothing about the cat’s litter box, and she pisses on my new bath mat. 
Nothing isn’t an absence. Silence isn’t nothing. I told a woman I loved her, 
and she never talked to me again. I told my mama a man hurt me,
and her hard silence told me to keep my story to myself. 
Nothing is full of something, a mass that grows where you cut at it. 
I’ve lost three aunts when white doctors told them the thing they felt 
was nothing. My aunt said nothing when it clawed at her breathing.
I sat in a room while it killed her. I am afraid when nothing keeps me 
in bed for days. I imagine what my beautiful aunts are becoming 
underground, and I cry for them in my sleep where no one can see. 
Nothing is in my bedroom, but I smell my aunt’s perfume 
and wake to my name called from nowhere. I never looked 
into a sky and said it was empty. Maybe that’s why I imagine a god 
up there to fill what seems unimaginable. Some days, I want to live 
inside the words more than my own black body. 
When the white man shoves me so that he can get on the bus first, 
when he says I am nothing but fits it inside a word, and no one stops him, 
I wear a bruise in the morning where he touched me before I was born. 
My mama’s shame spreads inside me. I’ve heard her say 
there was nothing in a grocery store she could afford. I’ve heard her tell 
the landlord she had nothing to her name. There was nothing I could do 
for the young black woman that disappeared on her way to campus. 
They found her purse and her phone, but nothing led them to her. 
Nobody was there to hold Renisha McBride’s hand 
when she was scared of dying. I worry poems are nothing against it. 
My mama said that if I became a poet or a teacher, I’d make nothing, but 
I’ve thrown words like rocks and hit something in a room when I aimed 
for a window. One student says when he writes, it feels 
like nothing can stop him, and his laugher unlocks a door. He invites me 
into his living.

Copyright © 2020 by Krysten Hill. Originally published in Poem-a-Day on July 7, 2020 by the Academy of American Poets.

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“Just as poems are spaces for discovery, for me, poems have also been spaces to document what I am unlearning. I thought a lot about poet and activist Audre Lorde when I was writing this. This poem addresses that there are whole histories and complicated truths in the things that I swallow daily for the comfort of others. Silence is its own kind of hell. Inaction can be its own harmful protection. As a black woman, there are ways I’ve been taught, directly or indirectly, to mask my feelings into a response like ‘It’s nothing’ when, in fact, everything is wrong. Something is very much on fire. When truths come to surface, they are their own kind of ugly-beautiful. They are not ‘nothing.’ There is something very much living inside of them. They are necessary.”
​​​​​​​—Krysten Hill

Krysten Hill

Krysten Hill is the author of How Her Spirit Got Out (Aforementioned Productions, 2016), which received the 2017 Jean Pedrick Chapbook Prize. The recipient of the 2016 St. Botolph Club Foundation Emerging Artist Award and 2020 Mass Cultural Council Poetry Fellowship, she received her MFA in poetry from University of Massachusetts Boston, where she currently teaches.

How Her Spirit Got Out
How Her Spirit Got Out 
(Aforementioned Productions, 2016)

Black Lives Matter Anthology

“when he bared his teeth, as if to caution
calm down, all good, no one died, ni[ght, neighbor]—”

—“The Pedestrian” by Tommye Blount


“Nothingness” by Dawn Lundy Martin
read more
“Disarming of Shadow, Arming of Light” by Rachel Eliza Griffiths
read more

Thanks to January Gill O’Neil, author of Rewilding (CavanKerry Press, 2018), who curated Poem-a-Day for July 6-July 17. Read a Q&A about O’Neil’s curatorial approach and find out more about our guest editors for the year
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