Louder: How to Handle the Hate in America’s Musical Heritage

Plus: Tom Petty, David Byrne, Stevie Wonder and More
Author Headshot

By Caryn Ganz

Pop Music Editor

For 16 years, the archival label Dust-to-Digital’s founders worked on a companion to Harry Smith’s landmark “Anthology of American Folk Music,” which included singles released between 1926 and 1934. They were done with their set, “The Harry Smith B-Sides,” when they listened with fresh ears and realized they would be releasing three racist songs. Deciding what to do with them sparked questions, including a biggie: Was the purpose of their project historical accuracy or entertainment? Grayson Haver Currin writes about their choice.

Lindsay Zoladz dug into “Wildflowers & All the Rest,” a new collection that charts the writing and recording of Tom Petty’s 1994 solo album and reveals much about his songwriting process and mind-set at the time. Julie Bloom talked to David Byrne and Spike Lee about the making of the filmed version of the musician’s fantastic stage show. Jon Pareles got a rare interview with the electronic duo Autechre. And the Culture desk put together a huge package about the 50th anniversary of PBS that made me revisit Melena Ryzik’s amazing “Sesame Street” and music piece.

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