"Time-Lapse Video of Trans Woman Collapsing Inward Like a Dying Star" by Joshua Jennifer Espinoza

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October 14, 2020  

Time-Lapse Video of Trans Woman Collapsing Inward Like a Dying Star


Joshua Jennifer Espinoza

I beg for invisible fire.

Every night I pray to love,
please invent yourself.

I imagine a place after this place
and I laugh quietly to no one
as the hair on my chin
weeds through old makeup.

When I go to sleep
I am vinegar inside clouded glass.
The world comes to an end
when I wake up and wonder
who will be next to me.

Police sirens and coyote howls
blend together in morning’s net.
Once, I walked out past the cars
and stood on a natural rock formation
that seemed placed there to be stood on.
I felt something like kinship.
It was the first time.

Once, I believed god
was a blanket of energy
stretched out around
our most vulnerable
places,

when really,

she’s the sound
of a promise
breaking

Copyright © 2020 by Joshua Jennifer Espinoza. Originally published in Poem-a-Day on October 14, 2020, by the Academy of American Poets.

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“Many of my poems involve figures who are desperately attempting to invent a means of survival under conditions that seem determined to prevent them from surviving. This poem is concerned with what happens when performing the daily magic of saving oneself becomes too tiring, so that the only remaining option is to scream out the pain, loneliness, and desperation, and allow the collapse to happen. This is a cry for help, one that enacts, through its own existence, proof of self-love and a desire to keep living, despite everything.”
Joshua Jennifer Espinoza

Joshua Jennifer Espinoza is the author of There Should Be Flowers (Civil Coping Mechanisms, 2016). She is an MFA candidate in poetry at the University of California Riverside, and currently resides in Riverside.

There Should Be Flowers
(Civil Coping Mechanisms, 2016)

Black Lives Matter Anthology  

 
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Thanks to Ari Banias, author of Anybody (W. W. Norton, 2016), who curated Poem-a-Day from October 14th-October 30th. Read a Q&A about Banias’ curatorial approach and find out more about our guest editors for the year
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