Tedium - 2001: A Gaming Odyssey 🎮

The GameCube ASCII Keyboard Controller could only be used in Phantasy Star Online Episode I & II. Today it sells for $200 on eBay.

Controllers with full-sized keyboards: Where online gaming stood in the early 2000s

An endless topic of debate on gaming forums in the early 2000s was the relative merits of PC vs. console games. Although I was mainly in the console camp, there was no arguing that in 2001 PC gaming offered the superior online experience.

The only major console with online play at the time was Sega’s cult hit (and commercial failure), the Dreamcast. For US gamers, one of the highlights of the early part of 2001 was the Dreamcast’s most popular online title, Phantasy Star Online. A subset of those Dreamcast owners were playing over SegaNet, a dial-up ISP whose servers were co-located with the game servers to reduce latency. You also got a free Dreamcast keyboard for signing up. While this made chatting in PSO easier, the keyboard’s killer app was The Typing of the Dead, the best typing game of all time.

The PlayStation 2, launched to great fanfare in 2000 despite having a terrible slate of launch games, came without a built-in dial-up or ethernet port. North American gamers didn’t get an online adapter for two more years. The GameCube similarly required a separate modem accessory that was supported by even fewer games. And your only real multiplayer option on the Game Boy Advance was a link cable. A wireless adapter (only supporting local wifi play) wasn’t released until late in the system’s lifecycle.

Meanwhile, online PC gaming had been going strong for years. As early as 1984, Commodore 64 owners could sign up for PlayNET to compete against strangers in games like Chess and Go. Online gaming went more mainstream in the ’90s with popular first-person shooters such as Quake. Blizzard’s long-running Battle.net service was already powering Diablo and Starcraft.

By 2001, the PC scene also had a robust modding community. Like the projects we’ll discuss shortly, some of the popular mods of the era were developed to improve a game’s multiplayer. One of the most important mods in this category was Team Fortress. It expanded Quake’s online deathmatch, adding player classes and a greater focus on teamwork. The mod was popular enough to become its own standalone series.

Thus, the PC ecosystem was ready to fill in where console games were lacking.

Advance Wars: Like Fire Emblem, but with unit building and no permanent characters (source)

Filing the serial numbers off Advance Wars

In the fanfiction community, the phrase “filing the serial numbers off” refers to severing the links between a fan work and the copyrighted original. This process almost certainly happened for our next game, the Advance Wars fan game Battalion: Head-2-Head.

Advance Wars on the Game Boy Advance was the first turn-based strategy game that really clicked with me. There was something innately satisfying about building units, capturing enemy territory, and exploiting the game’s somewhat suspect AI to finish maps with the highest ranking.

The series originated on the NES as Famicom Wars but didn’t receive a Western release until Advance Wars hit the GBA on the soon to be infamous date of September 11, 2001. (Wikipedia claims Monday, September 10 as the release date, but most games in this era were released on Tuesdays.)

I was in high school at the time, which was an ideal time to get into the game. Advance Wars had a lengthy single player campaign, but the real challenge was in multiplayer. Thanks to its turn-based nature, you could pass a single GBA around in class without needing additional systems or copies of the game. I spent many a study hall in such battles.

Of course, local multiplayer has its limitations. Once you get tired of playing your friends, what’s left to do? You turn to the online fan game.

Dedicated Advance Wars fans may expect me to talk about Advance Wars by Web here. That site’s still going strong after 15 years. It offers a web-based Advance Wars experience using graphics and gameplay mechanics from the Nintendo originals.

But I’d like to discuss an earlier title, Battalion: Head-2-Head. This was an online Flash game heavily inspired by Advance Wars by a developer who went by the name Urbansquall. Confusingly, it’s unrelated to the later Battalion Wars games officially released by Nintendo on the GameCube.

A match in Battalion: Head-2-Head. (source)

As you can see from these unit screenshots, the game more than a little borrowed from Advance Wars in its aesthetics and gameplay. (In a 2005 interview, Uransquall claims the game originated as an experiment in making a massively multiplayer online space shooter in Flash. Even if that is the case, the final product was highly derivative.)

The game wasn’t an exact copy. Subtle differences in how HP and tile defenses worked affected high-level play. The game didn’t include Advance War’s signature (and unbalanced) CO Powers, making match outcomes more determined by skill. But anyone familiar with Advance Wars could dive right in.

And unlike the GBA entries, Battalion Head-2-Head had online multiplayer play—in fact, it didn’t even have an option to play against the CPU in its early days.

Battalion: Vengeance running today via the Flashpoint Launcher

Though the game was never as popular as Nintendo’s entries, Battalion Head-2-Head had an active community for several years. I got so into it one summer that I even successfully lobbied for the addition of a new flame-throwing infantry unit. More importantly, the game satisfied my desire for a competitive Advance Wars experience when Nintendo wasn’t meeting that need.

Battalion: Head-2-Head’s server went offline around 2009. According to this surprisingly detailed Kongregate Wiki page, in its later years the series was put onto Kongregate and got several stand-alone single player entries that diverged more from the Advance Wars original. Luckily, those games have been preserved from the great Flash shutdown through BlueMaxima’s Flashpoint preservation project.

These days, online multiplayer is no longer the exception for console games. Even on Nintendo systems, it’s usually included by default. (At least for a few years; RIP Super Mario Maker on the Wii U) But this doesn’t mean the hobbyist multiplayer experience has completely gone away.

XBConnect itself became newly relevant after Microsoft shut down Xbox Live for the original Xbox in 2010. Suddenly, there was no way to play online Halo 2. But as with most things on the internet, the closed-source XBConnect itself shut down three years later. (An XBConnect 2.0 announced in a YouTube video in 2017 was never seemingly completed.) Those hankering for an online Halo experience instead should turn to the similar XLink Kai service, as documented in this Modern Vintage Gamer video.

Fans generally don’t need to re-create their favorite games to play them online. But there are still many cases where unofficial games step in to fill a void left by a series’ official caretakers.

Sometimes official properties lay dormant. This is the case with Advance Wars. There hasn’t been a new game in the series since Days of Ruin on the DS. Intelligent Systems, the developers behind the series, have spent the last decade working on their more successful series, Fire Emblem and Paper Mario. As a result, the best “Advance Wars” game of the 2010s is WarGroove, Chucklefish’s excellent spin on the series. Pick it up for your Switch.

In other cases, a property may be getting new games but they’re not up to fan standards. Perhaps no series embodies this more than Sonic. For much of the 2000s, Sega released a stream of mostly terrible 3D Sonic titles. I personally liked Sonic’s 2D entries on the GBA and DS, but hardcore Sonic stans did not feel they measured up to the series’ Genesis glory days.

The series was revived by a group of ROM hackers, among them Christian “Taxman” Whitehead, whose iOS “Retro Engine” was so good he was hired by Sega to code official Sonic iPhone ports. Whitehead and others would then be tapped to release the series’ 2D comeback, Sonic Mania.

Finally, a whole new class of games has emerged in the last decade or so that channels the creative energies of fans directly into the gaming experience. No game exemplifies this more than Roblox, a Minecraft-esque platform that promises today’s youth the potential to earn “millions” creating pizza shop simulators or IP-stealing Avengers games if they hit it big. When someone makes the next Golden Sun sequel, maybe I’ll sign up.

Online gaming affinity communities of the kind that once connected via webrings, forums, or fan games are now sought out for monetization by publishers. A whole genre of Minecraft-like games is built on channeling the creative energy of their players. Perhaps none more so than Roblox, which openly advertises its potential to earn creators “millions” in “serious cash”. As Alexi Alario argues in Real Life Magazine, “the user’s creative labor is built in as an expectation.”

Now, as then, the hard work is the fun part.

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