The New York Times - Louder: A Harrowing Story, Told in Song

Plus: St. Vincent, Bob Dylan, Nicki Minaj and More
Author Headshot

By Caryn Ganz

Pop Music Editor

Allison Russell has recorded extensively as a member of roots-rock groups, among them Po’ Girl, Birds of Chicago and Our Native Daughters, a collaboration of four Black female banjo players including the MacArthur “genius” grant recipient Rhiannon Giddens. At 41, she is releasing her solo debut, a deeply personal album that unflinchingly addressees sexual abuse by her adoptive father. “It’s an album of strength and affirmation, not victimization,” writes Jon Pareles. The singer and songwriter Brandi Carlile told him, “When you’re around her and her family, she just is pure joy.” Jon spoke with Russell about her long journey to the LP, “Outside Child,” for this weekend’s Arts & Leisure.

Jon’s conversation with Russell took place over video interview, but for the first time in a while, we have a (very amusing) in-person reported feature this week: David Peisner tagged along as the West Coast rap supergroup Mount Westmore — Snoop Dogg, Ice Cube, E-40 and Too Short — made its live debut at a celebrity boxing match in Atlanta, which is as bizarre as it sounds.

Plus: Mike Rubin told us about a series of live albums by the influential German band Can, made possible by a bootlegger with a recorder in his pants. Jenn Pelly reported on the surprising new location for the Rough Trade record shop that was once housed in a Williamsburg warehouse: Rockefeller Center. Reggie Ugwu explored how Spotify’s Podcast format that allows for authorized use of music in its shows is inspiring some of its creators, including Danyel Smith of “Black Girl Songbook.” And Lindsay Zoladz gave us her take on St. Vincent’s new album.

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FEATURES

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Wulf Bradley for The New York Times

One Surreal Night With the Rap Veterans of Mount Westmore

Snoop Dogg, Ice Cube, E-40 and Too Short — the old school titans in this new supergroup — made their live debut at an event featuring pop stars and TikTok influencers.

By David Peisner

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Phylicia J.L. Munn for The New York Times

On Spotify, an Arranged Marriage Between Music and Podcasts

Music-filled — and Spotify-exclusive — shows like “Black Girl Songbook” and “60 Songs That Explain the ’90s” dance around copyright constraints.

By Reggie Ugwu

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via Spoon

Can’s Live Shows Will Be Heard at Last, Thanks to a Bootlegger in Big Pants

A series of concert albums by the influential German band were made possible by Andrew Hall, a fan who followed the group around in the 1970s with a Sony cassette recorder hidden in his trousers.

By Mike Rubin

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Tina Turner and Jay-Z Lead Rock Hall of Fame’s 2021 Inductees

Foo Fighters, the Go-Go’s, Carole King and Todd Rundgren were also voted in, meaning nearly half of the 15 individuals in this year’s class are women.

By Ben Sisario

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Bob Dylan Center, Featuring Archival Materials, to Open in 2022

Following the acquisition of the singer-songwriter’s once-secret archives in 2016, a Tulsa-based foundation will put lyrics, photos and films on display in Oklahoma.

By Joe Coscarelli

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Il Divo Tenor’s Ex-Wife Sues Him, Citing Sexual and Physical Abuse

Sébastien Izambard exerted “coercive control” over Renée Izambard and subjected her to years of psychological abuse and torture, she said.

By Melena Ryzik

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The Charts

DJ Khaled Reaches No. 1 With ‘Khaled Khaled’

The album, titled after the star’s full name, has guest appearances by Drake, Megan Thee Stallion, Justin Bieber and more than a dozen others.

By Ben Sisario

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MORE CRITICS!

Critic’s Notebook

Bach Invented. Now a Pianist Is Trying to Match Him.

With “Inventions/Reinventions,” Dan Tepfer fills out Bach’s missing two-part inventions with daring free improvisations.

By Anthony Tommasini

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Critic’s Notebook

Come to the Cabaret, Old Chum. Or at Least Stream It.

New concerts from Sutton Foster, Jeremy Jordan and Marilyn Maye offer examples of what the most intimate art form can and can’t do.

By Jesse Green

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Review: A ‘Party in the Bardo’ for a City in Transition

At the Park Avenue Armory, Laurie Anderson and Jason Moran gathered fellow artists to conjure a sonic environment haunted by the pandemic.

By Joshua Barone

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‘Rockfield: The Studio on the Farm’ Review: Rockers Ripping It Up

A documentary explores the Welsh farm-turned-studio, Rockfield, where Black Sabbath, the Stone Roses and others made music.

By Glenn Kenny

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OBITUARIES

Lloyd Price, ‘Personality’ Hitmaker, Is Dead at 88

His “Lawdy Miss Clawdy” was a rhythm-and-blues smash that hooked white listeners in 1952, anticipating the rise of rock ’n’ roll. Even bigger records would follow.

By Joe Coscarelli

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Curtis Fuller, Powerful Voice on Jazz Trombone, Is Dead at 88

He was a fixture on the New York jazz scene since shortly after his arrival in 1957. He also made his mark as a composer.

By Giovanni Russonello

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Anita Lane, Rocker Who Was More Than a Muse, Is Dead at 61

Ms. Lane was Nick Cave’s collaborator and girlfriend during his formative period and helped define his sound. She also made records of her own.

By Neil Genzlinger

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Pervis Staples, Who Harmonized With the Staple Singers, Dies at 85

He sang alongside his father and sisters as his family’s gospel group achieved renown in the late 1950s and ’60s.

By Alex Traub

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Ed Ward, Rock Critic and Historian, Is Dead at 72

His reviews for Crawdaddy, Rolling Stone and Creem were admired. But his tough criticism at The Austin American-Statesman inspired a “Dump Ed Ward” movement.

By Richard Sandomir

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Tawny Kitaen, Star of 1980s Music Videos, Dies at 59

Ms. Kitaen gained fame for her carefree spirit and sultry dancing in music videos for bands like Whitesnake and Ratt and her role in the movie “Bachelor Party.”

By Maria Cramer

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