Louder: Live Music Is Back! (Live Music Is Back?)

Plus: Lorde, Jennifer Hudson, Jay-Z and More
Author Headshot

By Caryn Ganz

Pop Music Editor

On June 20, Jon Caramanica and I went to Madison Square Garden together for the first time in ages. Foo Fighters were playing the arena’s first rock show in over a year. Vaccines were required, masks were shed, heads were banged, beers were drank. (One of us engaged in the latter two, at least. I’m enjoying iced coffee out of my commemorative cup right now.)

It was the beginning of a six-week journey for Jon, who traveled around the country visiting clubs, honky-tonks, festivals and theaters, experiencing both the brief moment of bliss when live music felt largely safe again, and the creeping, increasingly anxious sensation that things were starting to unravel as the Delta variant raged on. But in between, there was music, people, energy, sweat, exhilaration, disappointment, shouting, soundboards, sightlines, adrenaline, annoyance, exhaling — all the elements of live performance that were missing over 15 months of watching music mostly alone, mostly on screens. His report from the road, filled with magnificent pictures in a lovely presentation by our photo and design teams, is a must-read, as is Ben Sisario’s snapshot of the live business in flux today.

Also this week: two powerful profiles by Joe Coscarelli — Lorde, chucking any idea of what her career should be into the ocean, and Bobby Shmurda, coming back from prison with a fresh perspective on his path. And Jon Pareles’s great conversation with Jennifer Hudson about portraying Aretha Franklin in the new film “Respect.”

Plus Isabelia Herrera dissects the reggaeton podcast “Loud,” Reggie Ugwu reflects on his relationship with Jay-Z’s “retirement” LP “The Black Album” and a major development in the Britney Spears conservatorship case.

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THE CRITICS & POPCAST

Critic’s Notebook

Reggaeton’s History Is Complex. A New Podcast Helps Us Listen That Way.

“Loud” asks us to reconsider mainstream histories of the genre, and reveals critical conversations about its roots and evolution.

By Isabelia Herrera

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The Playlist

Robert Plant and Alison Krauss Team Up Again, and 10 More New Songs

Hear tracks by Lizzo featuring Cardi B, Machine Gun Kelly, Brandee Younger and others.

By Jon Pareles, Giovanni Russonello and Lindsay Zoladz

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Billie Eilish’s New Pop Perspective

How has the teenage phenomenon’s songwriting, and her relationship to the larger music machine, evolved between albums?

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‘Respect’ Review: Giving a Queen Her Propers

Jennifer Hudson plays Aretha Franklin in a movie that follows many of the usual biographical beats but finds its own groove.

By Manohla Dargis

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Nanci Griffith, Singer Who Mixed Folk and Country, Dies at 68

In a career that began in Texas and spanned five decades, she was praised by critics for the thoughtful storytelling of her lyrics.

By Jordan Allen

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Kelli Hand, Detroit D.J. and Music Industry Trailblazer, Dies at 56

In 2017, the Detroit City Council honored Ms. Hand as the “first lady of Detroit” for her contributions, which included breaking into a male-dominated techno music scene.

By Johnny Diaz

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Those We’ve Lost

Jacob Desvarieux, Guitarist Who Forged Zouk Style, Dies at 65

His band, Kassav’, found millions of listeners as it held on to Caribbean roots while reaching out to the world. He died of Covid-19.

By Jon Pareles

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Paul Cotton, Mainstay of the Country-Rock Band Poco, Dies at 78

He joined the band for its third album and expanded its emotional and stylistic palette with his sinewy, blues-inflected guitar work and brooding baritone vocals.

By Bill Friskics-Warren

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Dennis ‘Dee Tee’ Thomas, Saxophonist for Kool & the Gang, Dies at 70

Mr. Thomas was a co-founder of the band, which was known for its hits such as “Celebration,” “Get Down on It” and “Jungle Boogie.”

By Alyssa Lukpat

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