Louder: Rappers Come Shop for Jewelry. Icebox Turns the Cameras On.

Plus: Britney Spears, R. Kelly, Billy Strings and More
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By Caryn Ganz

Pop Music Editor

First, the news: R. Kelly was found guilty on all counts at his racketeering and sex trafficking trial in Brooklyn and faces life in prison. Ben Sisario and Joe Coscarelli looked at the quiet response to the conviction in the music industry, and spoke to survivors and activists who say the business has a duty to do more.

And for the first time in 13 years, Britney Spears is free from her father’s control, after the judge overseeing her conservatorship suspended James P. Spears from the arrangement. A new Times documentary explored the surveillance apparatus that surrounded her, and Lauren Herstik explained how one Twitter feed managed to keep the world updated on what was happening inside the courtroom (while we anxiously awaited our reporters’ calls).

Jon Caramanica put a spotlight on the Atlanta jewelry store Icebox, where rappers relax and shop for diamond-encrusted watches while a social media team films them with their guards down. The shop’s videos “capture the safe spaces of the rich and otherwise flamboyant — watching Icebox videos is like being let in on a secret,” he writes. More than a million people subscribe to the store’s YouTube channel.

Grayson Haver Currin profiled Billy Strings, the 28-year-old bluegrass musician turning the genre upside down, who didn’t expect to live this long a decade ago. Lindsay Zoladz introduced us to Illuminati Hotties, the Los Angeles producer and musician Sarah Tudzin, who makes off-kilter pop filled with razor-sharp reflections on modern life; and wrote about the new documentary on Karen Dalton, a folk singer whose mysteries are an indelible part of her story.

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At Britney Spears’s Hearing, This Twitter Feed Scooped the World

With a deft plan, @BritneyLawArmy kept everyone outside the courtroom abreast of developments in a crucial moment in the singer’s conservatorship.

By Lauren Herstik

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The Surveillance Apparatus That Surrounded Britney Spears

An account by a former employee of the security team hired by Ms. Spears’s father created the most detailed portrait yet of the singer’s life under 13 years of conservatorship.

By Liz Day and Samantha Stark

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R. Kelly’s Lawyers Attacked His Accusers. It Backfired.

Legal experts said Mr. Kelly’s defense team focused on undermining the credibility of his many accusers — a strategy doomed to fail as attitudes about sexual abuse shift.

By Emily Palmer

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How the Black Women Around R. Kelly’s Case Feel About His Conviction

The case could represent a turning point for the #MeToo movement, which some felt had centered on crimes against white women.

By Troy Closson

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THE CRITICS

The Playlist

Kane Brown and H.E.R.’s Genre-Melting Duet, and 11 More New Songs

Hear tracks by John Mellencamp and Bruce Springsteen, Ashnikko, Susana Baca and others.

By Jon Pareles, Jon Caramanica, Isabelia Herrera and Giovanni Russonello

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Album Review

Tirzah’s Genre-Less Pop Embraces the Beauty of Uncertainty

The British singer-songwriter’s new album, “Colourgrade,” is a fluid excursion through the contours of trip-hop, noise, R&B and electronic music.

By Isabelia Herrera

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Bringing Aaliyah Into the Streaming Era

A conversation about the tug of war over her musical legacy, and how her songs — even without a digital presence — impacted the evolution of contemporary R&B.

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Critic’s Pick

Review: ‘Fire’ Brings a Black Composer to the Met, Finally

Terence Blanchard’s fresh, affecting “Fire Shut Up in My Bones” reopened the opera house on Monday after an 18-month closure.

By Anthony Tommasini

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OBITUARIES

Pee Wee Ellis, James Brown’s Partner in Funk, Dies at 80

As musical director for the bands behind Mr. Brown and also Van Morrison, Mr. Ellis helped forge new hybrids, meshing pop, jazz, R&B and more.

By Jon Pareles

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Lonnie Smith, Soulful Jazz Organist, Is Dead at 79

Adept at blending the sophistication of jazz with the earthy appeal of rhythm and blues, he was later widely sampled by hip-hop artists.

By Peter Keepnews

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George Frayne, a.k.a. Commander Cody, Alt-Country Pioneer, Dies at 77

With his band the Lost Planet Airmen, he infused older genres like Western swing and boogie-woogie with a freewheeling 1960s spirit and attracted a devoted following.

By Clay Risen

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Bob Moore, an Architect of the Nashville Sound, Dies at 88

He played bass on thousands of popular recordings, helping to create the uncluttered style that came to characterize the country music of the 1950s and ’60s.

By Bill Friskics-Warren

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Sue Thompson, Who Sang of ‘Norman’ and Sad Movies, Dies at 96

She started out a country singer, but she found fame and pop-chart success in the early 1960s with catchy novelty songs, as well as the occasional ballad.

By Neil Genzlinger

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Alemayehu Eshete, Singer Known as the ‘Abyssinian Elvis,’ Dies at 80

He became a swaggering star in the late 1960s, when Addis Ababa experienced a golden age of night life and music. Decades later, he was rediscovered.

By Alex Vadukul

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George Mraz, Consummate Jazz Bassist, Dies at 77

For half a century, he was in constant demand, backing big names like Oscar Peterson as well as countless up-and-coming performers.

By Neil Genzlinger

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FROM BOOKS, DANCE AND FILM

Why Write About Pop Music? ‘I Like When People Disagree About Stuff.’

Kelefa Sanneh hopes to start some arguments with his new book, “Major Labels,” which chronicles the past 50 years of rock, hip-hop, country and other musical genres.

By John Williams

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‘I Feel an Abundance’: A Composer Dips Into the Dance World

The choreographer Andrea Miller chose Lido Pimienta — “she’s a superstar” — to score her new piece for New York City Ballet. They talk about breaking new ground.

By Roslyn Sulcas

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Critic’s Pick

‘Karen Dalton: In My Own Time’ Review: An Elemental Musical Force

A documentary chronicles the turbulent life of a singer whose music made a substantial impression on New York’s 1960s folk scene and still resonates today.

By Glenn Kenny

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‘Britney vs Spears’ Review: When the Intervention Is the Problem

A Netflix documentary directed by Erin Lee Carr offers a timely if vexing primer on the pop star’s legal battle, which may finally be coming to an end.

By Lisa Kennedy

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