Flow State - Red Garland
Flow State recommends the book How To Do Nothing by Jenny Odell, which offers timely analysis of the attention economy’s effects on us as well as a set of strategies for resisting it. Remove this header (you’re on the free tier) | Buy a 3-day sponsorship in Flow StateGood morning. Today we’re listening to Red Garland, an American jazz pianist originally from Dallas, Texas. In the ‘50s, Garland joined the Miles Davis Quintet and exerted a formative influence on the group’s sound. Then he formed his own trio and in 1957 released Red Garland’s Piano. That loungey record showcases Garland’s pioneering “block chords,” a voicing that combined tonal consistency and blue-note harmonics (there’s a great musicological deep dive into this style by Ethan Iverson). We’re also playing Blues in the Night, an hour-long compilation of blues recordings from circa 1960. Red Garland’s Piano - Red Garland (40m, no vocals) Blues in the Night - Red Garland (60m, no vocals) Have a really nice Thursday.
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Rachika Nayar
Wednesday, October 6, 2021
Good morning. Today we're listening to Rachika Nayar, a composer and producer based in Brooklyn. Nayar subjects her improvised guitar recordings to “digital manipulation,” as she put it, and then
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Good morning. Today we're listening to Biosphere, an electronic/ambient project from Norwegian musician Geir Jenssen. Thanks to Lykele for recommending Biosphere and Christian for recommending the
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Good morning. It's Friday so we're listening to something slightly more upbeat. Today we're listening to Kate NV, a Russian electronic producer and songwriter. We've been a fan of Kate
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Good morning. Today we're listening to Vivian Koch, an electronic music producer based in Berlin. Koch described her 2019 record, The Owleon, as “electro synthesiser dreams for days.” This past May
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Wednesday, September 29, 2021
Good morning. Today we're listening to Wilson Tanner, an ambient duo consisting of Australians Andrew Wilson and John Tanner. The pair have released two LPs under this moniker, 69 and II. Their
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