opulence! opulence! opulence! maintenance! maintenance! maintenance!

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Ann Friedman Weekly
a close-up image of a bouquet of bright yellow, purple, and red poppies
Some beauty for the famished.   

I'm reading
Productivity culture is a lot like a religion, says self-help historian Kate Bowler. "Wouldn't now be a great time to imagine that we are not going to be masters of our destiny? That we’ll all likely need each other in the months ahead?" I'm extremely excited to read her book.

Anti-Racism Daily unpacks "cancel culture"—from its overhyped power to its real impact (or lack thereof) on systemic injustices. "Some people have lost their jobs after being canceled. Police chiefs, prison wardens, or Fortune 500 CEOs have not been among their ranks."

Margot Williams on 20 years of covering "America's not-so-secret terrorism detention complex" and the chilling banality of this country's torture system. Follow it with this interview with Mansoor Adayfi, who was imprisoned for 14 years at Guantánamo. And if you're interested in a deeply reported book on how post-9/11 detention and Islamophobia helped pave America's road to Trumpism, you must pick up Spencer Ackerman's Reign of Terror.

E. Alex Jung interviews Mitski. I am an eager student of Jung's profile writing, and maybe it's worth a few words about why. When you're interviewing someone, especially someone who has been profiled a thousand times, you'll inevitably reveal things about yourself. It's a way of being in genuine conversation rather than just extracting information. When it comes time to edit the piece, though, the writer's extensions of self are usually edited out, on the theory that no one cares about them. But not in Jung's work. He lets us in on the whole back-and-forth, and readers feel like we were there. Plus we get the benefit of Jung's personal theories and insights about his subject. This Mitski piece is a perfect example, because she doesn't want to say anything about her life—not even the names of her cats. And yet we come away knowing her better than when we started reading. (Thanks for coming to my journalism seminar. Extra credit reading: Delia Cai chatting with Jung about his career.)

The rapid ascent and tragic assassination of rapper Drakeo the Ruler, by Jeff Weiss. "To begin to understand why it happened is to grapple with the most corrosive aspects of humanity: the need for revenge and hatred of the other; our capacity for rage, ego, and jealousy. It is the boomerang of racism, police corruption, and the worship of violence. Yet it is also a condition of the spiritual and material poverty that infects most aspects of modern American life."

Apparently it's music-links week. My last rec is Emma Carmichael's delightful consideration of Bonnie Raitt's Nick of Time, "a contentedly unresolved document about a grown woman losing and then reestablishing herself at a life stage when her story could have easily joined so many others in the ether."


Pie chart
How are we maintaining our alpha-female status? 25% Assaulting high-ranking males; 15% Claiming prime hot-springs real estate; 25% Refusing to play by the rules of mating season; 25% Power-snacking; 10% Embracing drama
The Yakei Pie
 
Thanks to the alphas of all genders who help keep this newsletter afloat! If you open and enjoy this work every Friday, please consider joining their ranks for just $15/year. (Not per month. Per year.)

I’m looking & listening
Cruising, a podcast road trip to visit the handful of remaining lesbian bars in America. Transnational, a Vice series about trans experiences around the globe. Some beautiful wolf moon photos. Wayne Koestenbaum's video poems.

GIFspiration
Andre Leon Talley, a Black man with close-cropped graying hair, large sunglasses, a peach-colored tie and a fur stole, lifts a bottle of water and says "It's a famine of beauty, honey! My eyes are starving for  beauty."
"I believe that people are culture. How they live and move and myth-make and endure and drape and pose and want and want and want and observe and comment and declare. That’s culture. Andre Leon Talley’s sense of self was culture." -Saeed Jones.

"Talley’s fascination stems, in part, from his being the only one. In the media or the arts, the only one is usually male, always somewhat 'colored,' and almost always gay. His career is based, in varying degrees, on talent, race, nonsexual charisma, and an association with people in power. To all appearances, the only one is a person with power, but is not the power. He is not just defined but controlled by a professional title, because he believes in the importance of his title and of the power with which it associates him. If he is black, he is a symbol of white anxiety about his presence in the larger world and the guilt such anxiety provokes. Other anxieties preoccupy him: anxieties about salary and prestige and someone else’s opinion ultimately being more highly valued than his. He elicits many emotions from his colleagues, friendship and loyalty rarely being among them, since he does not believe in friendship that is innocent of an interest in what his title can do." -Hilton Als, in 1994. The piece is packed with incredible quotes, including Talley on his calling to uphold "the world of opulence! opulence! opulence! maintenance! maintenance! maintenance!"

Rest in opulence, ALT.

I endorse
For the people who can't get into Wordle, here's a history timeline game based on Wikipedia. (Thank you, Sarah Blank!) 

And for my fellow Wordle obsessives, my new thing is using the day's answer as a prompt for a 5-minute free-write. 

The Classifieds

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Together: we build better media. Join us at Pipe Wrench!

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Ready to move on from your job, but have no idea what's next? Take the free 10 day challenge to get unstuck in your career and create what's next.

Me: A little woo, but no BS. You: high strung & creative. Poised & Powerful Parenting podcast wants to be your new parent friend. Hangout at 3am?

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This newsletter is a proxy robot, pointed toward a shire.
Forward it to an opulent word nerd.



Ann Friedman
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Older messages

Is this a meme?

Friday, January 14, 2022

Surprise me View in browser January 14, 2022 Night citrus, a mood captured by my dear friend Gina Delvac This week A quick reminder that I'm accepting applications until Monday for the next round

Birthdays are like Coca-Colas

Friday, January 7, 2022

Surprise me View in browser January 07, 2022 You might recall the before? This is the "after." This is relatable. This is art. This week I appreciate all of the New Year's counter-

Sentences I saved this year

Friday, December 24, 2021

Surprise me View in browser December 24, 2021 Ho ho ho Lines I loved this year As I go about my reading all year long, I try to remember to copy the lines I love into my notes app. Here are some of the

In and out of that fleet blazing touch

Friday, December 17, 2021

Surprise me View in browser December 17, 2021 Nine weeks out of ten, I'm tempted to begin the newsletter with a photo of the sky. Indulging myself today. This week Here in the northern hemisphere,

Singular visions

Friday, December 10, 2021

Surprise me View in browser December 10, 2021 A slice of a thrift-store Elvis painting This week I couldn't figure out why John Wilson's success annoyed me so much. I devoured the first season

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