"As a Father of Daughters" by Hannah Aizenman

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March 1, 2022 

As a Father of Daughters

Hannah Aizenman

As a fathom of waters 
 
As a keeper of otters 
 
As a fan of the Dodgers 
 
As a foremost scholar 
 
As a leaver of mothers 
 
As a giver of quarters 
 
As a failure of rathers 
 
As a faithful supporter 
 
As we gather together 
 
As a fear of disorder 
 
As a phantom of operas 
 
As defender of borders 
 
As a frayer of wires 
 
As a friend of the doctor’s 
 
As an author of gospels 
 
As a field after slaughter

Copyright © 2022 by Hannah Aizenman. Originally published in Poem-a-Day on March 1, 2022, by the Academy of American Poets.

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“Poets are supposed to avoid clichés—bits of language so hackneyed as to seem drained of meaning—but I’m fascinated by what hyper-familiar turns of phrase can reveal and conceal. This poem takes as its title a common expression typically deployed for the purpose of asserting the (male) speaker’s positional identity as a claim to power and narrative control: a ‘humanizing’ rhetorical gesture that functions to delegitimize and dehumanize women. Playing with this idiom, which is also a fragment—making it a formal constraint, sounding it out, in various senses—I hoped to destabilize the imagination that engenders its usage, and destabilize that imagination’s limits.”
Hannah Aizenman

Hannah Aizenman holds an MFA in poetry from New York University and serves as the associate poetry editor at the New Yorker. Originally from Birmingham, Alabama, she lives in Brooklyn. 
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Thanks to Brenda Shaughnessy, author of The Octopus Museum: Poems (Knopf, 2021), who curated Poem-a-Day for this month’s weekdays. Listen to a Q&A about Shaughnessy’s curatorial approach and find out more about our guest editors for the year.
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