Louder: How Arcade Fire Found a Way Back

Plus: Mingus, Let’s Eat Grandma, Bonnie Raitt and More
Author Headshot

By Caryn Ganz

Pop Music Editor

“For more than 20 years, Arcade Fire has thought deeply about the forces, spiritual and otherwise, that connect people,” Jeremy Gordon writes in a new profile of the band. His story reveals just how deeply the past and the future are linked for its leaders, Win Butler and Régine Chassagne, and yet how much has changed since the troupe broke out in 2004. How does a band endure listeners’ shifting tastes, critical whiplash, lineup changes and the life shifts that accompany simply getting older? The group’s May album, “We,” is an ambitious reset and in some ways its answer.

More great profiles this week — also all with connection as a major theme: Dani Blum talked to the British electro-pop duo Let’s Eat Grandma (the name is a comma joke) about how a surprising rift in their close friendship shaped (and threatened) their upcoming album; Imogen West-Knights spoke with Kae Tempest about the prolific poet/rapper/author’s new LP (and how it was recorded via three live takes before tiny audiences of different ages); Jon Pareles interviewed Jorge Drexler about how the Academy Award-winning songwriter’s background in medicine informs his deeply curious songwriting that blends … well, truly, everything.

Plus! Charles Mingus would have turned 100 today. Marcus J. Moore and Giovanni Russonello asked 10 jazz musicians including Charles McPherson (who played with him) and Esperanza Spalding, Jason Moran and Georgia Anne Muldrow to explore his achievements and complexities (and pick a favorite track).

Also: a lovely tribute to Barbara Maier Gustern, the beloved vocal coach who died after being attacked in New York last month; a wild yarn about lost George Jones recordings that became bail collateral for two narcotics traffickers; and Jon Pareles named Bonnie Raitt’s new album a Critic’s Pick.

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