This month marks two years since the publication of Ghost Signs: A London Story. This was my major lockdown project, and I still have to pinch myself when I hold the book in my hands.

Up to and including Halloween on 31 October, I am offering 10% off all orders of the book from the BLAG Shop. Just add it to your cart and the discount will be applied automatically. If you already have a copy, then you'll know it's also a perfect gift for the seasonal festivities ahead :-)

Photo of a book cover showing a portion of a building with a fading painted sign on its sunlit wall.
Ghost Signs: A London Story by Sam Roberts and Roy Reed.

The research underpinning the book's 250+ ghost sign stories was informed by the three London walking tours I'd previously developed. When I moved to Spain in 2019, I reimagined these in audiovisual form for on-street or remote access. You can get a taster of these via the seven featured ghost signs below.

Sepia photo of a man smiling in front of a building with a hand-painted advertising sign on the brick.
Mr Ghostsigns (aka me, Sam Roberts) in tour guide mode on Stoke Newington Church Street, London N16. Photo: Gloria Soria.f

If you want more, from these and the dozens of ghost signs across the three walks, then they are available on the Ghostsigns website, with the Clapham one completely free to access.


The Ghost Signs

The digital walks give detailed location information for each stop, including google streetview links for those accessing them remotely. Additional contemporary and archival images are also included alongside transcriptions for the signs and, in some cases, reconstructions to visualise how they may once have looked.

While most these signs also feature in the book, the digital walks go a bit deeper into their stories, as well as including ghost signs that couldn't fit into that publication's 320 pages.


Waterman’s/Walker Bros

This was the ghost sign that started it all for me, and features on the Stoke Newington Ghostsigns Walk.

Fading painted sign on brick building advertising fount pens and their repair.
Waterman’s/Walker Bros, Stoke Newington Church Street (opposite Brett Close) N16.
Waterman’s/Walker Bros on the Stoke Newington Ghostsigns Walk
1:06 • Click to play audio

This Waterman’s privilege was hosted by their agents, the brothers Frank and Herbert Walker. They took over the stationery shop here in 1924, and remained until 1941. Waterman’s stopped marketing their ‘ideal’ fountain pen in 1927, which dates the sign to the mid 1920s.

Archival black and white photos of two smartly dressed men.
The Walker brothers Frank (left) and Herbert (right). Photos courtesy of Jo and Steve Walker.

The original execution had different text on the horizontal strip (‘We Repair Fount Pens’) but this was later amended. Although the newer version looks less accomplished, the lettering originally had a thin white outline. This meant that the signwriter could be a bit rougher with the black, knowing that they’d come back afterwards and clean it up with the white.

Spread from a book with pictures of a hand-painted sign on a wall and accompanying narrative text.
Waterman’s/Walker Bros in Ghost Signs: A London Story.

In 2012, this sign was added to the Local List at Hackney Council in recognition of its local significance, and its aesthetic and artistic merit. While this gives the sign some protection, more important is that the current owner loves the sign and has no intention of harming it. Its northerly orientation is also in its favour as the sign heads towards its centenary.


United Dairies

This is starting point for the (free) Clapham Ghostsigns Walk, which has four brilliant bonus stops at the end.

United Daries on the Clapham Ghostsigns Walk
0:58 • Click to play audio

United Dairies was formed by the merger of three big London dairies in 1915, in response to shortages of men, horses and vehicles during the First World War. It took over the Adams, John & Co. dairy here during the 1930s and supplied it from its Streatham bottling depot.

The company was a pioneer in the development of pasteurised milk, which grew rapidly in the 1920s. The ‘safeguard’ messaging here conveys the benefits of this technology, echoing the ‘hygienic’ claims made by bakery signs from the same era.

Opening spread for a chapter in the book with the title 'Feeding the City' and an introductory text.
United Dairies features in the 'Feeding the City' chapter of Ghost Signs: A London Story.

The sign has been painted twice with an almost identical layout but its scalloped corners reveal that it covers an older black and white sign. It’s likely that this wasn’t covered in its entirety due to the signwriter working from artwork that included the clipped corners.


Take Courage

This is perhaps the UK's most photographed ghost sign, being located next to the popular Borough Market tourist spot. It's at the midpoint of my Bankside Ghostsigns Walk, and has many points of interest.

View of upper portion of a brick building with a hand-painted sign that reads "Take Courage".
Take Courage, Redcross Way (corner of Park Street) SE1.
Take Courage on the Bankside Ghostsigns Walk
2:20 • Click to play audio

This is one of London’s best-known ghost signs, endlessly ‘discovered’ and photographed by locals and visitors alike. It is located at the former entrance to the Anchor Brewery, established in 1616 and later taken over by Barclay, Perkins & Co. This building was constructed 1807 to house senior employees, and it’s likely that visitors such as Napoleon and Otto von Bismarck would have passed it on their tours of what was then the world’s largest brewery.

The sign is a symbol of the area’s brewing heritage, which arose partly due to its proximity to the river and goes back as far as the fourteenth century. In Chaucer’s Canterbury Tales, ahead of embarking on their pilgrimage, the Miller says, ‘If the words get muddled in my tale, just put it down to too much Southwark ale.’

Illustrated aerial view of a vast expanse of industrial buildings.
The full extent of the Barclay, Perkins & Co. brewery, with this building standing alone, bottom left, with the smoking chimney.

The sign dates to 1955, or soon after, when Courage took over the brewery from Barclay Perkins & Co. It was painted using the brick and mortar lines to set the letter heights, each nine bricks high, with the serifs weighted at one brick high. However, the horizontal spacing is less precise. After painting the constraining border and the first word, the signwriter realised they were going to run out of space and responded by narrowing a number of letters in the second word to make it fit.

One reason for this sign’s popularity is the uplifting, rallying cry of its message. The slogan originated during the Second World War and is a play on words, with ‘take’ also intended in the medicinal sense. Associating beer and health in this way echoes popular campaigns such as ‘Guinness is Good for You.’ However, a 2009 attempt to revive the slogan was shut down by the Advertising Standards Authority for suggesting that drinking beer increases confidence.

Renovations were carried out on the building as part of its sale in 2013. These included the addition of supporting beams across the crack that runs vertically through the ‘U’ of Courage. While the sale was protested, with people occupying the building, it eventually fetched £3 million, making it the most expensive Council House (and ghost sign) ever sold.


Nestlé | Boro

This is one of the bonus stops on the (free) Clapham Ghostsigns Walk, and is one of my favourite London ghost signs.

Multiple layers of painted advertising fading on a brick wall.
Nestlé | Boro, Killyon Road (corner of Wandsworth Road) SW8. Photo: Roy Reed.
Nestlé | Boro on the Clapham Ghostsigns Walk
0:59 • Click to play audio

There are two layers of Nestlé signage on this wall, with the slogan on one dating it to the early 1920s. This is noteworthy for its explicit endorsement of breastfeeding – in the 1970s, the company was widely condemned for aggressively marketing its formula to mothers in the developing world.

Layers of painted advertising fading on a portion of a brick wall.
Boro ‘To Let’ sign. Photo: Roy Reed.

A third sign on the wall, for the billposting company Boro, sought customers to advertise on the wall. They, or a subsequent contractor, later installed billboards on the building, the last of which was removed in around 2015.

Boro (Borough Billposting Company) was once a major outdoor advertising broker. Their painted details can be found on other London ghost signs, some of which boast of their 10,000 sites available to advertisers. An account of the firm’s history is included in our book Ghost Signs: A London Story.


The next three ghost sign stories are only available to BLAG members. Join today from just $5/month to gain access to these, and much more digital content from bl.ag online. You'll also be supporting independent, advertising-free publishing, and helping to fund the majority of content that is made available for free.


And don't forget there's 10% off Ghost Signs: A London Story in the BLAG Shop until Halloween on 31 October.


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