The Deleted Scenes - Sleepdriving
Yesterday, in my commentary on this piece about massive drive-thrus in suburbia, I wrote, a little bit far afield from the piece:
Sleepdrive. Huh. Maybe I’ll expand on that. In the paragraph before the one I just blockquoted here, I was explaining how there’s a huge difference even between the fast food hellscape and the old suburbia that the author of the piece remembered, before one of these massive drive-thru fast food properties paved it all over—the run-down strip malls full of ethnic food and random, quirky business, filling out old commercial strips with little humble ranch houses or capes in the narrow streets behind. That old suburban pattern, worse for wear but also having undergone many decades of incremental and organic evolution, is interesting. It’s something to appreciate, as a thing of its own. And I thought about how despite being designed for cars, for the most part, these landscapes look like so much grey and dark and rust and wear behind the windshield, yet when you stop and look, so much texture and detail comes into view. That’s sleepdriving—passing through a place, not seeing it, not knowing where you are or where you’ve been. That’s what much of Maryland’s closer-in D.C. suburbs look like, the first relatively dense place I ever lived. They have all their chain stores too, of course—but there are also lots of vacated chain stores now home to local businesses. These cookie-cutter, middle-class, built-to-a-finished-state-to-never-change suburban communities may look worse, after 50, 60, 70 years of physical wear. But they’re more. So there are two things I’m making a point of here: one is that old point I make all the time here, that we should appreciate these ordinary places we drive through, learn not to judge a building by its exterior, and look for the real spirit of a place, no matter what it looks like. See as much in a place as there is; or, maybe something not quite the same: there’s as much in a place as you’re willing to see. The other thought here is how the car strips away so much of that detail and texture; how it works against our human interest and takes us out of the human scale. I wrote once about an intersection by our old condo, where a walking trail crossed a two-lane road. I both walked and drove across there many times... Subscribe to The Deleted Scenes to unlock the rest.Become a paying subscriber of The Deleted Scenes to get access to this post and other subscriber-only content. A subscription gets you:
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New and Old #170
Friday, July 12, 2024
Friday roundup and commentary ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏
How Much Of Urbanism Is Poverty?
Thursday, July 11, 2024
Or do we mistake an old economic era for a land-use approach? ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏
Ospite Delle Autostrade
Thursday, July 11, 2024
What Do You Think You're Looking At? #170 ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏
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Tuesday, July 9, 2024
Well, *analogous* to it ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏
March Of The Minivans
Monday, July 8, 2024
Something that surprised me about China's private auto fleet ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏
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