Louder: The Pandemic Party Is on Instagram. Rap Led the Way.

Plus: Hayley Williams, Drake, Kraftwerk and More
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By Caryn Ganz

Pop Music Editor

We have an extraordinary lineup of stories this week:

  • Have you noticed that Instagram is the sight of pandemic musical gatherings, that hip-hop has been leading the charge, and that nostalgia has been a big part of the equation? Jon Caramanica traces it all back to its start, talking to D-Nice, Timbaland, Swizz Beatz, Diddy and Tory Lanez for a fascinating piece about how we gather now.
  • Independent clubs across the U.S. aren’t asking when they’ll reopen, but if. We could lose a horrifying amount of music history if the Troubadour, First Avenue, 40 Watt and others close their doors for good. Ben Sisario tells the story of their struggle to survive, and our readers have been sharing their memories in the comments. See some of my favorite at the bottom of this Louder.
  • “Diary of a Song” is back with an new episode! See how Dua Lipa made her ’80s throwback dance hit “Physical,” a tale that involves Care Bears, “Flashdance,” alpacas, tarot cards and more.

Plus: The music in the Michael Jordan doc “The Last Dance” is incredible — it also reveals a lot about the N.B.A.’s evolving relationship with hip-hop, Jeremy Gordon explains; Melena Ryzik brings you the N.Y.C. sounds we’ve been missing, like crowded bars and Showtime dancers; Ben Sisario and Jon Pareles pay tribute to Kraftwerk’s Florian Schneider. And Hayley Williams’s solo LP “Petals for Armor,” one of my favorite albums of the year already, is out today: Lindsay Zoladz reviewed it, and I profiled the Paramore frontwoman in March.

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THE CRITICS

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OBITUARIES

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Indie Venues at Risk: Your Comments

Jana: “I love First Avenue! I’ve been a long time patron since early 1990s. Through the years I have seen so many amazing performances from new bands in the 7th Street Entry, dancing the night away in the main room, to celebrating the life of Prince outside the club with 10,000 other Minnesotans.”

Rick Hamilton from Cleveland, Ohio: “Cleveland has a long tradition of great, small clubs. I was able to see Miles Davis, Jeff Beck, Tom Rush, and too many great artists to name them all at the Jazz Temple, LaCave, the Smiling Dog, Farragher’s Back Room, Peabody’s, and more.”

Greg Tutunjian from Milton, Mass: “Saw the Rollins Band at Club Babyhead in Providence, RI (’92, I think.) The ceiling was filled with baby doll heads nailed in place. Very small room holding maybe 100-120 people on a block that had seen better days. Lifted off my feet a few times as the crowd moved and moshed. Hot, sweaty night and crowd. Loved every second of it.”

fast/furious: “I worked at the legendary Bottom Line on W. 4th Street in 1974, the summer I graduated from college. My first experience working in a nightclub was there during Bruce Springsteen’s multi-night stand in July ’74, when he played early versions of ‘Jungleland,’ ‘Rosalita’ and ‘Born to Run.’”

honeywhite from Virginia: “I grew up in Chicago and the many (many many!) nights spent at (Cabaret) Metro, the Riv, Avalon, Schuba’s, Lounge Ax (plus Blind Pig in Ann Arbor and St. Andrew’s in Detroit) are among the happiest and most formative experiences of my life. Sometimes the music was bad, sometimes is was great and sometimes it was transcendent — but these are sacred spaces and communities and I hope they endure!”

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