Poem-a-Day - "Effete Poem" by Kay Gabriel

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September 25, 2024 
 

Effete Poem

Kay Gabriel

I will never write like Edwin Denby.
I wouldn’t change a thing about him.

Keep being Edwin, Edwin, as effete
as a dance critic for the New York Herald Tribune.

Is being effete something you can practice, like dance steps
in private when a prima did them first?

If so, I’ve had lots and lots of practice.
I started by brushing my hair on the bus,

Two-year-old hair on a twelve-year-old head.
Then a man, a stranger, said, “I know you, boss,

you’re always brushing your hair.”
Not quite a “Put that back.” Certainly a “Hey, you,”

With a cunty something tailing the sentence like an unmarked car.
If I ran away from him, I must have done so effetely.

I ran all the way to 2011.
On the way, I passed Le Château. Remember Le Château? No, you don’t.

You’re not effete enough.
I passed uploaded videos of Eartha Kitt,

Quentin Crisp, Fran Drescher, and the female gremlin.
By then nothing seemed very effete.

I lived with a man who liked it when men
called him boss. They did it when he pumped his gas.

He said it made him feel adequate:
right size, right shape. Even the hair on his hands was right.

Some effete people keep hair on their hands.
Some effete people are women.

Scientists say: it’s the phytoestrogens in the 
water supply, in Hamilton, Ontario.

Critics say: she wanted a nice life,
in Passaic, with durable consumer goods.

Are these all images of money?
I’ll never have been born to it, Edwin,

As a diplobrat in Tianjin. At the time of my
death, a Swiss boyfriend will not

describe me as a “modern who smoked 
opium with Cocteau.”

I’m not effete enough. 
I must do something about that. 

Copyright © 2024 by Kay Gabriel. Originally published in Poem-a-Day on September 25, 2024, by the Academy of American Poets. 

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“Against the backdrop of the anti-trans panic, I wrote this poem with an eye to vilified gender positions. [It] makes its observations in part by engaging with the poet and dance critic Edwin Denby, a friend and mentor to poets, including Frank O’Hara and Alice Notley, and lifelong partner to [filmmaker and photographer] Rudy Burckhardt. Le Château was a Canadian clothing chain. Take this test to determine if you’re effete—results may surprise.”
—Kay Gabriel

Kay Gabriel

Kay Gabriel is a poet and essayist. She is the author of Kissing Other People or the House of Fame (Nightboat Books, 2023) and A Queen in Bucks County (Nightboat Books, 2022). She coedited, with Andrea Abi-Karam, We Want It All: An Anthology of Radical Trans Poetics (Nightboat Books, 2020), which was a finalist for the 2021 Lambda Literary Award for Transgender Poetry. The editorial director of The Poetry Project, Gabriel lives in New York City. 

Kissing Other People or the House of Fame

Kissing Other People or the House of Fame
(Nightboat Books, 2023) 



“Page One” by Joannie Stangeland
read more
“Expressing My Feelings to My Future Husband-Wife (Or, Ritual in Which Gender)” by Kayleb Rae Candrilli
read more

Thanks to Sawako Nakayasu, author of Pink Waves (Omnidawn, 2023), who curated Poem-a-Day for this month’s weekdays. Read or listen to a Q&A about Nakayasu’s curatorial approach and find out more about our Guest Editors for the year.
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