In the ‘70s, a pseudoscientific idea called the Stone Tape theory started to gain popularity in the U.K. It was a theory that rocks and other inanimate objects can retain spiritual energy or trauma — like a tape. In other words, rocks might be haunted. It’s an intriguing idea, especially when you think about the thousands of old, creepy stone cottages that dot the British countryside, and the centuries of history and ghosts that they likely carry in their foundations. And it’s an idea that Rabbit Trap, writer-director Bryn Chainey’s new folk horror film starring Dev Patel, attempts to unpack, before taking a hard left turn into a baffling new genre.

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When I told Josh Ruben I was a big fan of his, he had to ask a clarifying question. “A Dropout fan, a horror fan, or something else?” he asked with a knowing look. The answer was, actually, both.

I was a huge fan of his horror movies. Scare Me, his 2020 directorial debut, made a splash on Shudder with its unique quasi-anthological structure and performances from Ruben himself alongside The Boys’ Aya Cash. The very next year, he released Werewolves Within, a movie that was simultaneously a creature feature, a whodunit, a horror comedy, and a video game adaptation.

But I also grew to love him (and his seagull impression) on Dropout, the rebranded CollegeHumor streaming service. Ruben has become a regular on the improv show Make Some Noise, a member of the fan-favorite “Noise Boys” alongside Zac Oyama and Brennan Lee Mulligan.

It took me about four years to realize both are the work of the same Josh Ruben, but looking back, it’s obvious: his improv work has always been informed by a love for film and pop culture, and his horror movies always underline the humor. Now, he’s back with another multitasking masterpiece: Heart Eyes, a Valentine’s-Day-themed slasher movie following two workplace rivals as they fight off a serial killer — and fall in love along the way. It’s the perfect distillation of Ruben’s work: a slasher movie incredibly laden with passion for the genre and the craft, as full of heart as it is every other internal organ.