"Dream and the Song" by James D. Corrothers

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July 18, 2020  

Dream and the Song


James D. Corrothers

So oft our hearts, belovèd lute,
In blossomy haunts of song are mute;
So long we pore, ‘mid murmurings dull,
O’er loveliness unutterable.
So vain is all our passion strong!
The dream is lovelier than the song.

The rose thought, touched by words, doth turn
Wan ashes. Still, from memory’s urn,
The lingering blossoms tenderly
Refute our wilding minstrelsy.
Alas! We work but beauty’s wrong!
The dream is lovelier than the song.

Yearned Shelley o’er the golden flame?
Left Keats for beauty’s lure, a name
But “writ in water”? Woe is me!
To grieve o’er flowerful faëry.
My Phasian doves are flown so long—
The dream is lovelier than the song!

Ah, though we build a bower of dawn,
The golden-wingèd bird is gone,
And morn may gild, through shimmering leaves,
Only the swallow-twittering eaves.
What art may house or gold prolong
A dream far lovelier than a song?

The lilting witchery, the unrest
Of wingèd dreams, is in our breast;
But ever dear Fulfilment’s eyes
Gaze otherward. The long-sought prize,
My lute, must to the gods belong.
The dream is lovelier than the song.

This poem is in the public domain. Published in Poem-a-Day on July 18, 2020, by the Academy of American Poets.

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“Dream and the Song” originally appeared in The Book of American Negro Poetry (Harcourt, Brace and Company, 1922).

James D. Corrothers was born in Cass County, Michigan in 1869. A minister and poet, his works often appeared in The Century Magazine and The Crisis. He died in 1919.

The Book of American Negro Poetry
(Harcourt, Brace and Company, 1922)

Black Lives Matter Anthology

“This is a love that crowns the feet with hands
that nourishes, conceives, feels the water sails
mends the children”

—“This is Not a Small Voice” by Sonia Sanchez


“Dreams” by Langston Hughes
read more
“Tired” by Fenton Johnson
read more

Thanks to January Gill O’Neil, author of Rewilding (CavanKerry Press, 2018), who curated Poem-a-Day for July 6-July 17. Read a Q&A about O’Neil’s curatorial approach and find out more about our guest editors for the year
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