Welcome to ‘NBA Desktop’ | The Series Finale

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The Ringer
In the October 16 newsletter:
The series finale of NBA Desktop, a look at the Daryl Morey exit, and a couple of perspectives on Night 1 of The Bachelorette.
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Watch: NBA Desktop | Series Finale

On the series finale of NBA Desktop, Jason Concepcion is joined by director Jason Gallagher to dedicate a song to LeBron's journey up "Goat Mountain."

Must-Reads From The Ringer

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- SPORTS -
If it weren't for that whole cheating thing, the 2020 Astros might've been the underdog team people root for. [Zach Kram]

Daryl Morey saw the big picture, but his legacy is shaped by a single game. [Rob Mahoney]

During his tenure, Daryl Morey did everything but win a title while dealing with ownership that wouldn’t authorize championship-level spending. [Jonathan Tjarks]

Join us for your Week 6 NFL matchup guide: Aaron Rodgers heads to Tompa Bay. [Danny Heifetz]

Le’Veon Bell is a luxury acquisition who can only help Kansas City. [Kaelen Jones]
 
- POP CULTURE -
It's time to rank the work of Aaron Sorkin. [The Ringer Staff]

Netflix's Blackpink documentary Light Up the Sky doesn’t gawk at the popular K-pop group—it tries to understand them. [Kate Halliwell]

The QuaranTV show is a subgenre newly borne out of the pandemic, but only some of its entries have figured out how to make the most of such terrible circumstances. [Alison Herman]

Lovecraft Country, which wraps up on Sunday, has tried to cram in too much meaning and character motivation. The results are often muddled. [Micah Peters]

Star Wars: Squadrons is the first dedicated Star Wars space combat game to appear outside of arcades since 2003. And boy, is it beautiful. [Ben Lindbergh]

The Bachelorette Is Back!

The first episode of The Bachelorette featured Clare constructing her narrative, COVID, and a whole bunch of Dale. [Rodger Sherman]
Join us as we break down all of the nonexistent, producer-manufactured drama from Night 1 of The Bachelorette. [No Rose, All Thorn]
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Keith Olbermann on Political Commentary and Mitt Romney. Plus, Failed October Surprises. | The Press Box

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A Higher Place: The Full Story of Tom Petty’s ‘Wildflowers’ and Its Massive New Reissue

Tom Petty was in his happy place. His fortress of solitude. His backyard recording studio. The one part of the house where everyone knew better than to tread while he was in there by himself dreaming, and writing, and recording. “You didn’t open that door unless the house was on fire,” his daughter Adria Petty said. “My dad spent most of his time in his life quarantined in his house or on the road, basically. But he had that room and he’d just go in that room every single day and work and close the door.”

On this particular day, he had a new idea that he wanted to get down on tape. He didn’t have any lyrics written down to guide him, just a simple three-chord progression and some vague visions of the Santa Barbara countryside in all its lush, colorful springtime splendor. So, he hit the big red record button on the tape machine, took a deep breath and began to strum. As the jaunty acoustic guitar in his hands filled the room with a capoed, sonorous chime, he opened his mouth and started to sing.

“You belong among the wildflowers / You belong on a boat out at sea.”

Who knows where those tenderly delivered words came from. Petty certainly didn’t. “I swear to God it’s an absolute ad-lib from the word ‘go,’” he told author Paul Zollo for his book Conversations With Tom Petty. In the next three minutes, Petty waxed poetic about love and freedom, heart and home while the reels on his recorder spun around in a steady rotation. When the song came to its seemingly natural conclusion he reached over his guitar and clicked the stop button. “Then [I] sat back and went, ‘Wow, what did I just do?’ And I listened to it. I didn’t change a word. Everything was just right there, off the top of my head.”

[Read Corbin Reiff's story of how Tom Petty's Wildflowers, which is being celebrated with a new box set, came together.]

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“You belong among the wildflowers / You belong in a boat out at sea.”
—Tom Petty
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