A Thiel Fellow turned unicorn CEO, Dylan Field is known in tech and design circles for his software startup Figma, which powers much of the visual design happening at companies like Airbnb, Slack and Twitter, but increasingly also non-tech companies like several big banks. Backed by a who’s who of investors including Andreessen Horowitz, Founders Fund, Greylock, Index Ventures, Kleiner Perkins and Sequoia, Figma was valued at $2 billion last April.
This past week, Field has become known for a very different role: NFT collector. On Wednesday night, he sold a non-fungible token of a computer-generated face – an avatar of a pipe-smoking, hat and sunglasses-wearing teal alien – for the equivalent of about $7.5 million in Ethereum, the cryptocurrency. The sale was a record for CryptoPunks, the limited series of 10,000 collectible avatars created in 2017, and an eye-popping sum just hours before Beeple set an NFT sale record when his work “Everdays: The First 5,000 Days” sold for $69.3 million at Christie’s auction. Then on Friday night, Field took to Clubhouse, joining popular room “The Good Time Show” to compare his sold punk, called CryptoPunk #7804, to a digital Mona Lisa.
Midas Touch chatted with Field that morning and again on Saturday to get his download on NFTs and the sale. Highlights below:
The buy: Field purchased #7804 in January 2018, a year after Matt Hall and John Watkinson created the limited set of 10,000, which were initially given away for free. (The two came out of the Toronto-area university tech scene, as did Field’s now-wife Elena Nadolinski.) Already interested in cryptocurrencies and especially Ethereum, Field saw the buy as a potentially viable investment. But he was more excited to support activity happening over ETH, especially digital artists playing around on the blockchain. “I was on a road trip with Elena, and I said, this is probably the stupidest thing I’ve ever done. And I had total conviction in it, which is what I’m going tor try to listen to in the future: when I think something’s both really stupid and I have conviction, I think it’s a good sign now.”
The sale: After a month spent closely tracking a CryptoPunks Discord channel, Field sold on Wednesday to an anonymous investor known on Twitter as “Peruggia,” who tweeted a thread explaining the rational of their purchase on Friday (recommended reading in its own right). Field says the financial gain of the sale is meaningful to him, but he was also motivated by the desire to spread the gospel of crypto art through #7804, sharing it with more people through the subsequent publicity. He feels a deep bond to “Peruggia,” whoever they are. “Owning #7804 is a paradox and also a curse,” he said on “The Good Time Show.” What Fields means, he says: if you believe in NFTs or digital art like CryptoPunks, you’ll want to hype them and spread the word – which eventually means selling at an eye-popping value, to prove the point.
What’s next: Field sold another CryptoPunk, fedora-wearing ape #6965, for about $1.5 million in February, meaning of about $39,000 invested, Field’s sitting on profits of about $9.5 million. He still owns 11 CryptoPunks, though they’re not as rare as the pipe-smoking alien, as well as several works by Beeple and by the creators of CryptoPunks in a newer project, Autoglyphs. Field thinks that one might prove cooler, as it’s an experiment in generative art, meaning each glyph was generated by code running on the Ethereum blockchain itself. List prices for those already run more than $100,000 in ETH. Figma fans needn’t worry, though: Field says that while he plans to keep supporting creatives and the crypto community’s mission, he’s not going to quit his day job to trade NFTs full-time.
This whole topic, Field agrees, is a rabbit hole. More insights to come from him later this week on Forbes.com.
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