The New York Times - Louder: 14 New Songs for the Weekend

Plus: Stromae, Cécile McLorin Salvant, Dua Lipa and More
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By Caryn Ganz

Pop Music Editor

Let’s send ourselves off into the weekend with 14 new songs. (You know it’s a New York Times playlist when it covers the latest track from an excellent new indie-rock band, a wrenching ballad from the “Euphoria” soundtrack, ear-tickling textures from the Uruguayan producer Lila Tirando a Violeta and … New Kids on the Block.) (And yes, I do strive to put these into a running order each week that connects the aesthetic dots, but it isn’t easy!)

This week Laura van Straaten spoke with the Ukrainian band DakhaBrakha — which has long ended its shows chanting “Stop Putin! No war!” — about its last few concerts and what’s at risk for Ukraine’s culture if the war lasts. Giovanni Russonello profiled the singer Cécile McLorin Salvant as she releases a revealing new album that draws more from her own life than ever before. Elisabeth Vincentelli talked with Stromae as he returns with his first album in nine years, which expands his spectrum of sounds (“It’s as if he’s downloaded the entire history of music into his brain and then sings what comes out,” Chris Martin said). And Jon Caramanica checked out Dua Lipa’s Future Nostalgia Tour at Madison Square Garden.

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Olivia Galli for The New York Times

Cécile McLorin Salvant’s Album Tackles a Newer Archive: Her Own

The vocalist who dares to take on older music with unsavory history turns inward on “Ghost Song,” her most revealing and rewarding album yet.

By Giovanni Russonello

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Hanne Van Assche for The New York Times

Stromae’s Music Delves Into Dark Topics. His Return Is Right on Time.

The Belgian singer-songwriter’s hits marry serious subject matter and dancey beats. His first album in nine years, “Multitude,” expands his spectrum of sounds.

By Elisabeth Vincentelli

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Adama Jalloh for The New York Times

Nilüfer Yanya’s Music Is a Family Affair

The British musician has long collaborated on videos with her sister. Her new album, “Painless,” stems from exploring her lineage, and what exactly it means to “be from somewhere.”

By Lindsay Zoladz

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