Poem-a-Day - Celebrating 100 Years of The Waste Land

October 11, 2022
100 Years of The Waste Land
“But The Waste Land is not only a poem; it names an event, like a tornado or an earthquake. Its publication was a watershed, marking a before and after. It was a poem unequivocal in its declaration that the ancient art of poetry had become modern.”

Jed RasulaWhat the Thunder Said: How The Waste Land Made Poetry Modern (Introduction)

The Waste Land by T. S. Eliot was originally published in 1922, in the October issue of The Criterion. Celebrate the centenary by reading the poem, as well as essays commemorating the poem’s impact by Jed Rasula, Sandra Beasley, and Ange Mlinko
“That’s why some poems stay with me. They introduce me to, not necessarily a new feeling, but allow me to associate a feeling with a new subject matter.”

Marcelo Hernandez Castillo is the author of Children of the Land: A Memoir (Harper Collins, 2020) and Cenzontle (BOA Editions, 2018)which Brenda Shaughnessy selected as the winner of the 2017 A. Poulin, Jr. Prize). Read and listen to Castillo discuss the Poem-a-Day curatorial approach and more on Poets.org
 
Marigold and Rose
“And she longed, once again, for adulthood with its vast cargo of words.”

Read an excerpt from Marigold and Rose, Louise Glück’s fiction debut, published by Farrar, Straus, and Giroux. 
 
#PoetryNearYou Pick of the Week
 
Check out our #PoetryNearYou Pick of the Week: Bellevue Literary Review welcomes Academy of American Poets Chancellor Emeritus Edward Hirsch—president of the Guggenheim Foundation and author of the acclaimed new book The Heart of American Poetry—in conversation with Sarah M. Sala at The Center for Fiction (15 Lafayette Ave, Brooklyn, NY 11217). Sunday, October 16 at 7:00 p.m. ET. Purchase tickets here. (Sponsored). 
 
Deadline Approaching: Guggenheim Museum 2023 Poet-in-Residence

Submissions are still open for the Guggenheim Museum’s 2023 Poet-in-Residence. Working with the Guggenheim’s public programs department, the poet-in-residence will design activations and experiences with poetry as an artistic form for the museum’s adult, teen, and youth audiences. Applications are being accepted through this Sunday, October 16. View the full eligibility guidelines on the Poet-in-Residence Initiative page and submit all materials through Submittable.  
Academy of American Poets’ Capacity-Building Grant Program

Eligible organizations are still able to apply for two-year grants of $5,000–$25,000 each year, or $10,000–$50,000 total, to support capacity-building initiatives. The grant program is a multi-year funding opportunity for literary organizations that present or serve poets, or that incorporate poetry as part of their programming. Applications will be accepted through October 28 at 5 p.m. ET on the Academy of American Poets Submittable page. Learn more about eligibility requirements. The Academy of American Poets and CLMP hosted a joint information session for interested applicants on September 16. A recording of the session is available here

Enter the 2023 Treehouse Climate Action Poem Prize

The Treehouse Climate Action Poem Prize is given to honor exceptional poems that help make real for readers the gravity of the vulnerable state of our environment. First place receives $1,000; second place, $750; and third place, $500. Winning poems will be featured in our popular Poem-a-Day series. The 2023 Treehouse Climate Action Poem Prize will be judged by climate scientist and author Dr. Peter Kalmus and poet Matthew Olzmann. Learn more and apply here by November 15, 2022 (11:59 p.m. ET). 
 

Apply for the Raiziss/de Palchi Translation Awards

The Raiziss/de Palchi Fellowship will be given in 2023 to enable an American translator to travel, study, or otherwise advance a significant work-in-progress. The Academy invites applications from American translators currently engaged in the translation of modern Italian poetry. The selected fellow will receive $25,000 and a five-week residency at the American Academy in Rome.  

The judges for the 2023 Raiziss/de Palchi Fellowship are Graziella Sidoli, Jennifer Scappettone, and John Taylor. Submissions are accepted from September 30, 2022, to March 1, 2023. 
 
Revisit last week’s Poem-a-Day selections with us on Poets.org:

October 2: “Verses to the Moon” by Luis Carlos López, translated by William George Williams
October 3: “the poem is a dream telling you its time” by Marwa Helal
October 4: “‘Stop. Go put your shoes back on. They’ll know we Okies,’ a Lost Image Reclamation” by Anthony Cody
October 5: “Wonder Wheel” by Wo Chan
October 6: “The Art of Shooting in the Dark” by Denice Frohman
October 7:  “Angelica Root” by Vanessa Angélica Villarreal
October 8: “Lord, I Ask a Garden . . .” by Alfonso Guillén Zelaya, translated by William George Williams
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"from 'Dauerwunder, a brief record of facts'" by Carolina Ebeid

Tuesday, October 11, 2022

If I grew out of your (winter, / thought, purse, chest cavity) Facebook Twitter Instagram October 11, 2022 Support Poem-a-Day from “Dauerwunder, a brief record of facts” Carolina Ebeid If I grew out of

"A Blind Spot, Awash" by Tobi Kassim

Monday, October 10, 2022

And if I give up on consequences / is that despair Facebook Twitter Instagram October 10, 2022 Support Poem-a-Day A Blind Spot, Awash Tobi Kassim And if I give up on consequences is that despair or

"My Life Is a Memory" by Rafael Arévalo Martínez, translated by William George Williams

Sunday, October 9, 2022

When I met her I loved myself. Facebook Twitter Instagram October 9, 2022 Made possible thanks to readers like you. My Life Is a Memory Rafael Arévalo Martínez translated from the Spanish by William

"Lord, I Ask a Garden . . ." by Alfonso Guillén Zelaya, translated by William George Williams

Saturday, October 8, 2022

Lord, I ask a garden in a quiet spot Facebook Twitter Instagram October 8, 2022 Made possible thanks to readers like you. Lord, I Ask a Garden . . . Alfonso Guillén Zelaya translated from the Spanish

"Angelica Root" by Vanessa Angélica Villarreal

Friday, October 7, 2022

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