It’s getting exhausting calling out Moon landing truthers. Especially when a high-profile rom-com starring Channing Tatum and Scarlett Johansson makes a mockery of one of the greatest human achievements in all of history.

This weekend, the new film Fly Me to the Moon hits theaters, telling the story of a 1969 advertising executive (Johansson) who is determined to film a “backup” version of the Moon landing in a studio, in case the real one fails. Tatum plays an astronaut, and the two fall for each other, in a silly movie about how the nature of love is a lot like flying to the Moon, or pretending to, or something. All harmless fun, right?

Well, no. While Fly Me to the Moon isn’t presented as a dramatic film purporting to unveil long-lost truths about the space race, it is built upon a frustratingly pervasive conspiracy theory that the Apollo 11 moon landing never took place, or in this case, that NASA would try to use taxpayer dollars to create a hoax. But, the historical and scientific evidence that we did, in fact, land on the Moon is overwhelming. And, because this movie is dredging up all those conspiracy theories again, it's worth restating why we know the 1969 Moon landing was very real.

It’s pretty rare for a Netflix series to get a second season order — and rarer still for the streamer to commit to three seasons sight unseen, especially as the “Golden Age” of streaming feels more and more like a bygone legend.

Vikings: Valhalla is one of a chosen few to take its story beyond its inaugural season, and it’s been quietly dominating on Netflix ever since. As a spinoff of the History Channel’s gritty, gripping period piece, Valhalla’s chances for success are decidedly higher than its peers. The original Vikings never gained the notoriety of sister shows like Game of Thrones, but it still dominated a niche that few shows manage to achieve.

Valhalla is no different: historical fantasies and costume dramas are having a real moment right now, but few feel as realized as the Netflix series. After two successful seasons, it understands its lane, and seems content to deliver a grounded narrative with a side of period-accurate ultraviolence. Its third season tries (and mostly succeeds) to conquer the world, and that ambition pays off in some visually stunning, appropriately brutal, and occasionally very sensual adventures.