The New York Times - Louder: Remembering Little Richard

Plus: Jason Isbell, Power Pop, Andre Harrell and More
Author Headshot

By Caryn Ganz

Pop Music Editor

Little Richard: a dynamo, a rule smasher, a pop culture presence so hilarious, so wickedly sharp, it felt like he could never leave us. “If Little Richard was a forerunner of countless pop taboo-breakers, theatrical figures and bad boys (and girls), it wasn’t as a dissident or a delinquent,” Jon Pareles writes. “Instead, he offered an ecstasy you couldn’t refuse.” Wesley Morris, writing about how the musician preserved his own legacy, adds: “He was ridiculous, and he knew it: equal parts church, filth, lust, androgyny, comedy, passion. And eventually anger. You see, this man built rock ’n’ roll’s rambunctious wing, its anything-goes department. People looted.”

More remembrances this week: Jon Caramanica on Andre Harrell, the Uptown Records founder who ushered in a pivotal moment in hip-hop and R&B’s development; Rob Tannenbaum on Betty Wright, whose 1971 hit “Clean Up Woman” anticipated funk music’s transition into disco.

And a very powerful profile: Jason Isbell told David Peisner the stunningly personal story behind his new album, “Reunions.” It’s a piece about how creativity intersects with marriage, how a public image can become an albatross, and ultimately, how sharing your narrative with others can be healing. (Isbell and his wife, the musician Amanda Shires, share a lot here.)

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