Inverse - 🍿 Venom’s Painfully Serious Farewell

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Inverse Daily
The third and final film in the Venom franchise has the nuggets of comedic brilliance that made the franchise a surprise hit, but ultimately gets too serious for its own good.
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Review
‘Venom: The Last Dance’ Loses Sight of the Franchise’s Greatest Strength

Midway through Venom: The Last Dance, Eddie and Venom find themselves at the end of their rope. They’re fugitives from the law, with no money and no shoes. But even at their lowest point, Venom’s sheer joy at being in Las Vegas is infectious, resulting in one of the funniest moments of the movie. After boasting about his alien-enhanced gambling skills, Venom instantly loses all their money to a glimmering slot machine. The scene only gets better when their old friend Mrs. Chen appears, glammed up and delighted to tear up the town with Eddie/Venom. But suddenly, the film cuts away to an underground bunker where a dour-faced Chiwetel Ejiofor swears vengeance on symbiotes. An audience member in my screening whispers a sad, “No, go back!” but, unfortunately, there’s no going back to the fun and silly Venom we used to know.

The Venom movies have always been, to borrow an internet slang term, very unserious. A glorified exercise in Tom Hardy doing weird voices, the franchise reached pseudo-cult status once fans embraced the queer undertones of the relationship between Eddie Brock and his outrageous alien symbiote. While Venom’s status as a camp icon was an accidental byproduct of the first film, the second, Venom: Let There Be Carnage, leaned into it. Sadly, the third and final entry of the franchise, Venom: The Last Dance, decides to inexplicably get serious, and in the process, loses the silly, campy spark that made the Venom movies such a weird joy to watch.

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Since 2020, the animated comedy series Star Trek: Lower Decks has been boldly doing something no other Star Trek show has done before: Making fun of itself while also paying loving homage to what came before it. When it debuted between Picard Season 1 and Discovery Season 3, Lower Decks quickly asserted itself as a cheeky throwback. Sporting Next Generation vibes and set at a point in the Trek timeline that reminds everyone of the 1990s, Lower Decks assimilated the core demographic of diehard Trekkies to its cause fairly quickly.

Somewhat uniquely, the entire run of Lower Decks is notable for one specific thing: At no point did the series undergo a radical reinvention or shift in tonal style. Rotten Tomatoes will tell you that Lower Decks got better in Season 2, but the truth is, the show has always been good. And with its fifth and final season dropping October 24 on Paramount+, Lower Decks isn’t going out with a bang or a whimper. It’s simply being itself. The show will have 50 episodes under its belt by the end of this final season, and relatively speaking, these episodes represent the most consistent Star Trek writing of the 21st century.

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