"Barnes & Noble, 1999" by Jesús I. Valles

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October 12, 2022 

Barnes & Noble, 1999

Jesús I. Valles

I was a boy in a bookstore, “a bathhouse,” I’ll joke
when I am older. But then, I wasn’t. I was in a gallery
of things to be cracked open; all their spines & mine.
I tell you, I was a hungry pickpocket, plucking
what language I could from books & men who stood hard
before me. This is what it means to be astonishing;
to thieve speech and sense from the undeserving.
I tell you, I was a boy and they were men, so all
the words I know for this I made into small razors,
some tucked between my teeth, under my tongue,
and when they said what a good mouth I had,
I smiled, the silver glint of sharp things in me
singing, “I’ll outlive you. I’ll outlive all of you.”

Copyright © 2022 by Jesús I. Valles. Originally published in Poem-a-Day on October 12, 2022, by the Academy of American Poets.

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“During a writing workshop, I was asked to write an ode to my younger self. I quickly became envious of that past-me, of the haphazard bravado and willfulness that allowed me to explore my queerness in the aisles and shelves (and bathrooms) of that bookstore where words broke me open, where worlds broke open. In revisiting this site and self, I also found a lasting resentment and latent pity for the adult men who were willing to usher me in this way, for their aging bodies, for that bookstore (which is now a Ross Dress-For-Less), for all our lost selves.”
Jesús I. Valles

Jesús I. Valles is a queer, Mexican immigrant writer-performer from Ciudad Juárez, Chihuahua, and El Paso, Texas. The recipient of fellowships and support from CantoMundo, Lambda Literary, the Sewanee Writers’ Conference, Idyllwild, Undocupoets, and Tin House, they live on stolen Pequot, Nipmuc, Niantic, Narragansett, and Wampanoag land.

“Boy in a Stolen Evening Gown” by Saeed Jones
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“Book of Statues” by Richie Hofmann
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Thanks to Marcelo Hernandez Castillo, author of Cenzontle (BOA Editions, 2018), who curated Poem-a-Day for this month’s weekdays. Read or listen to a Q&A about Castillo’s curatorial approach and find out more about our guest editors for the year
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